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Title:Spiritualiteit en abstractie in de kunst
Format Type:Ebook
Author:
Publisher:Vrij Geestesleven
ISBN:9060382412
ISBN 13:
Number of Pages:136
Category:Manga

Spiritualiteit en abstractie in de kunst by Wassily Kandinsky

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  • Point and Line to Plane

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  • Sounds

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  • The Blaue Reiter Almanac

    This book Download ePub PDF eBook Online Libs - The Blaue Reiter Almanac - The i Blaue Reiter i Blue Rider art movement was founded in by the young painters Wassily Kandinsky and Franz Marc and was active in Europe until Originally pub...

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  • Sguardi sul passato

    This book Download ePub PDF eBook Online Libs - Sguardi sul passato - Guardo spesso indietro nel mio passato e mi dispera il tempo che ho impiegato a trovare questa soluzione Ho una sola consolazione quella di dirmi che mai ho pot...

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Il cavaliere azzurro, The Blaue Reiter Almanac, Sounds, Point and Line to Plane, Concerning the Spiritual in Art, Sguardi sul passato, Kandinsky: [The Pioneer Of Abstract Art His Life In Paintings], Wassily Kandinsky, Six Kandinsky Cards, Aokishi
The i Blaue Reiter i Blue Rider art movement was founded in by the young painters Wassily Kandinsky and Franz Marc and was active in Europe until Originally published in Munich in and edited by Kandinsky and Marc the movements s almanac presented their synthesis of international culture to the European avant garde at large In both the selection of essays and its innovative interplay of word and image i The Blaue Reiter Almanac i remains one of our most critically important works of literature on the art theory and culture of the twentieth century This edition long unavailable in English and indispensable to any student of Modernism simulates the original German format and includes documents and musical notations as well as seminal essays by Kandinsky Schoenberg Marc and others Nearly illustrations from ancient and contemporary sources capture the wide ranging interests and passions that inspired Kandinsky s and Marc s programmatic attempt to make Modernism accessible across national and chronological boundaries Also included is Klaus Lankheit s extensive critical introduction which places the i Blaue Reiter i in context for contemporary readers The almanac remains unique among European writings on art no other country produced a comparable work capturing the excitement and tension of the years before World War I Will Grohmann, Wassily Kandisnsky s i Sounds Kl nge i a volume of poems written and illustrated by the Russian artist and pioneer of abstract painting was originally published in a limited edition in Munich in Although it was highly regarded by such artists as Hugo Ball and Jean Arp and acclaimed by the Zurich Dadaists it remains one of the least known of Kandinsky s major writings This is the first complete English translation of Kandinsky s text br i Sounds i is one of the earliest most beautiful examples of a twentieth century i livre d artiste i and a rare instance of a book in which text and illustrations are the work of a single artist The poems alternately narrative and expressive in quality are witty simple in structure and vocabulary and often startling in content They repeatedly treat questions of space color physical design and the act of seeing in a world that offers multiple and often contradictory possibilities to the viewer The woodcuts range from early Jugendstil inspired representational designs to vignettes that are purely abstract in form br Published in the same year as his i Concerning the Spiritual in Art Sounds i sheds a different but equally significant light on Kandinsky s movement toward abstraction a movement that was to exercise a profound influence on future directions in art In addition to the poems and woodcuts which are arranged as in the original edition the volume includes an introduction the German text of the poems and the artist s chronology, A pioneering work in the movement to free art from its traditional bonds to material reality this book is one of the most important documents in the history of modern art Written by the famous nonobjective painter Wassily Kandinsky it explains Kandinsky s own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period Along with his own groundbreaking paintings this book had a tremendous impact on the development of modern art br Kandinsky s ideas are presented in two parts The first part called About General Aesthetic issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract non material terms Just as musicians do not depend upon the material world for their music so artists should not have to depend upon the material world for their art In the second part About Painting Kandinsky discusses the psychology of colors the language of form and color and the responsibilities of the artist An Introduction by the translator Michael T H Sadler offers additional explanation of Kandinsky s art and theories while a new Preface by Richard Stratton discusses Kandinsky s career as a whole and the impact of the book Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings br This English translation of i ber das Geistige in der Kunst i was a significant contribution to the understanding of nonobjectivism in art It continues to be a stimulating and necessary reading experience for every artist art student and art patron concerned with the direction of th century painting, Guardo spesso indietro nel mio passato e mi dispera il tempo che ho impiegato a trovare questa soluzione Ho una sola consolazione quella di dirmi che mai ho potuto usare forme procedenti da vie logiche ma solo quelle che un interno impulso faceva nascere in me Mai ho potuto combinare una forma ogni forma voluta mi ripugnava Quelle di cui mi sono servito nascevano spontaneamente mi si presentavano gi pronte davanti agli occhi non mi restava che copiarle oppure si formavano mentre lavoravo e spesso avevano il potere di sorprendermi Con gli anni appresi a guidare un poco questa forza creatrice Mi sono esercitato a non lasciarmi semplicemente andare ma a dirigere e a frenare la forza che opera in me Con gli anni ho imparato che il lavoro con il batticuore un senso di oppressione al petto e di angoscia in tutto il corpo con dolori intercostali non basta Pu salvare l artista ma non la sua opera Il cavallo porta il cavaliere con forza e velocit ma il cavaliere guida il cavallo Il talento trascina l artista con forza e rapidit verso grandi altezze ma l artista conduce il suo talento